CV
展覽經歷
個展
2023《注意你的行為! / Attention!》陳俊宇個展-就在藝術空間，台北，台灣
聯展
2023《鼠計畫》”The Rat”千年虫無身知所(Y2K)x陳俊宇-就在藝術空間，台北，台灣
2023《鼠計畫》”The Rat”千年虫無身知所(Y2K)x陳俊宇-國立清華大學蛙房基地，新竹，台灣
2022《Show Intro》-酸屋，台北，台灣
2022《2057 Rehearsing of living》-國家戲劇兩廳院-實驗劇場，台北，台灣
2022《On Paper》-就在藝術空間-台北，台灣
2022《Chen Jun Yu：SEESAW》-The Studio，台北，台灣
2021《SeeSaw》-國立台北藝術大學-地下美術館，台北，台灣
2021《淨土國際行為藝術節》-烏來老街，新北，台灣
2021《台北國際藝術博覽會-例外狀態》-世貿一館-就在藝術，台北，台灣
2021《The Best》-國立台北藝術大學-地下美術館，台北，台灣
2021《液態之愛》-話鼓電台-傳說演出評論ing，台北當代藝術館，台北，台灣
2020《變態路徑》，2020台灣雙年展-《禽獸不如》平行展 -酸屋，永和，台灣
2020《爛石與枯海．歐靜雲、彭禹慈、陳俊宇三人聯展》-就在藝術空間，台北，台灣
2020《無所適室．non-non-place》-空總臺灣文化實驗場，台北，台灣
2020《◢鏈反應▁▁後◢現場錄像展◢▧▧》-酸屋，新北 ，台灣
2020《鏈反應-展演藝術激力》-酸屋，新北，台灣
2019《藝術自由日–愛的神話》-松山文創園區，台北，台灣
2019《複數形態02》-國立臺北藝術大學–南北畫廊，淡水，台灣
2019《淡水河浮潛計畫》-社子島島頭公園，社子島，台灣
2019《俘虜薩克死》-板橋435藝文特區，板橋，台灣
2019《複數形態1》-國立台灣藝術大學–北側聚落C展間，板橋，台灣
2019《投下 HEAD DOWN》-台北國際藝術村，台北，台灣
2019《獨白者計畫》-國立台灣藝術大學，板橋，台灣
2018《UNDER THE BRIDGE》-板橋65快速道路橋下，板橋，台灣
2018《2018 龍潭駐村計畫》 -三坑老街，龍潭，台灣
2018《探扣＿非正規作戰｜Timecode : a Guerrilla Tactic》-國立台灣藝術大學北側聚落，台灣
2018《Bluerider OPEN 2018 台灣青年藝術家發光計畫徵件展》-Bluerider Art 仁愛收藏館，台北，台灣
2018《Bluerider OPEN 2018 台灣青年藝術家發光計畫徵件展 》-松菸三號倉庫，台北，台灣
2018《2018浮州檔案》-國立台灣藝術大學-九單藝術空間，板橋，台灣
2017《GAME BOYS》-荒原藝術，板橋，台灣
2016《下班啦》-435養雞場空間，龜山，桃園
演出
Re: Play 操／演現場-林人中-如果具體派宣言作為一首舞譜，空總臺灣當代文化實驗場 C-LAB，台北，台灣
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Exhibitions
2021 "Liquid Love" - Talking Drum Radio - Legendary Performance Reviewing, Museum of Contemporary Art Taipei, Taipei, Taiwan
2020 Perverted Path, 2020 Taiwan Biennale - "Worse Than Animals" Parallel Exhibition - Acid House, Yung Ho, Taiwan
2020 "The Rotten Stone and the Dry Sea Ou Jingyun, Peng Yuzhi, Chen Junyu" - in Art Space, Taipei, Taiwan
2020 " non-non-place"-Airborne Taiwan Culture Experiment, Taipei, Taiwan
2020 "Tire Reaction to the Tireire Discretionary Video Exhibition" - Sour House, New Taipei, Taiwan
2020 Chain Reaction - Exhibition of Artistic Excitements - Acid House, Xinbei, Taiwan
2019 "Art Freedom Day-Myth of Love"-Songshan Cultural and Creative Park, Taipei, Taiwan
2019 "Plural Form 02"-National Taipei University of the Arts-North and South Gallery, Tamsui, Taiwan
2019 "Tamsui River Snorkeling Plan"-Shezi Island Island Head Park, Shezi Island, Taiwan
2019 "Captive Sack Dies"-Banqiao 435 Art District, Banqiao, Taiwan
2019 "Plural Form 1"-National Taiwan University of Arts-North Side Settlement C, Banqiao, Taiwan
2019 "Head Down"-Taipei International Art Village, Taipei, Taiwan
2019 Monologue Project-National Taiwan University of the Arts, Itabashi, Taiwan
2018 "UNDER THE BRIDGE"-Banqiao 65 Expressway Bridge, Banqiao, Taiwan
2018 "Longtan Resident Project 2018"-Sankeng Old Street, Longtan, Taiwan
2018 "Snatch_Informal Operations ｜ Timecode: a Guerrilla Tactic" -Northern Settlement of National Taiwan University of Arts, Taiwan
2018 "Bluerider OPEN 2018 Taiwan Young Artists Luminous Project Contest"-Bluerider Art Renai Collection, Taipei, Taiwan
2018 "Bluerider OPEN 2018 Taiwan Young Artists Luminous Project Contest"-No. 3 Songyan Warehouse, Taipei, Taiwan
2018 Fuzhou Archives 2018-National Taiwan University of Arts-Jiudan Art Space, Banqiao, Taiwan
2017 "GAME BOYS"-Wasteland Art, Itabashi, Taiwan
2016 "After work" -435 chicken farm space, Guishan, Taiwan
Performance
Re: Play, Performance Live - Lin Renzhong - If a specific pie manifesto as a dance piece, C-LAB, Taiwan Contemporary Culture Experimental Area, Taipei, Taiwan
About
主要創作以現場行為和影像藝術為主。以個人身體作為與環境社會激撞、遇合的現場，並將身體作為認知權力延伸的有機載具，創造成多項視覺隱喻的行為表演。表演中尋求極限，克服了現實面前的絕望和尷尬感。在軟性、緩速的精神與身體耗弱下，表達個人在文化認同、社會機制的現存困境。以新鮮的生活感把板式的文化意識、符號系統進行幽默瓦解，將過程轉化成形態，試圖在過往及當代的審思中激起感性身體存續的意義與提問。近年展演作品： 《PER．FORMANCE ART》 ( 台灣雙年展平行展-變態路徑，酸屋，台灣，2020 ) 、《__USED TO》( 就在藝術空間，台灣，2020 )、《南京》( 空總臺灣文化實驗場，台灣，2020 )、《ASTHMA》( 酸屋，台灣，2020 ) 、《18000》( 藝術自由日-愛的神話， 松山文化園區，台灣，2019 ) 、《Calculation1》(Bluerider Art 仁愛收藏館，台灣，2018)。曾獲2019《藝術自由日–愛情神話 》 優選。
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The main creation is based on live performance and video art. The personal body is used as a site of collision and encounter with the environment and society, and the body is used as an organic vehicle for the extension of cognitive power, creating a number of visual metaphors for performance. The search for limits in performance overcomes the despair and embarrassment in the face of reality. Under the soft, slow mental and physical exhaustion, the performance expresses the existing dilemma of the individual in terms of cultural identity and social mechanism. With a fresh sense of life, the work humorously dismantles the stereotypical cultural consciousness and symbolic system, transforming the process into a form, and attempting to arouse the meaning and questions of the continued existence of the sensual body in both past and contemporary aesthetics. Recent Works: PER.FORMANCE ART (Taiwan Biennial Parallel Exhibition - Perverted Path, Acid House, Taiwan, 2020), __USED TO__ (Right at Art Space, Taiwan, 2020), __Nanjing__ (Air Force Taiwan Culture Experimental Site, Taiwan, 2020), __ASTHMA__ (Acid House, Taiwan, 2020). 2020 ), "18000" (Art Freedom Day-The Myth of Love, Songshan Cultural Park, Taiwan, 2019), and "Calculation1" (Bluerider Art, Jen-ai Collection, Taiwan, 2018). It was selected as an honorable mention for Art Freedom Day - Myth of Love 2019.